After many hours of planning and shooting our film, we had shot all of the scenes needed to create a 4-5 minute long piece. Throughout the process we had had several shoots, and so when it came to editing the last scenes shot, we already had around half of the film edited. As cinematographer, I firstly watched back all of the scenes that had been shot at the location, and this ensured that we didn't need to reshoot much at a later date; if I (or Sam) saw a shot that looked amateur or showed bad composition or continuity, we reshot it immediately, as this technique also makes the editor's job easier. An example of this took place when we moved the camera slightly for an identical shot, meaning that the continuity would look shabby; we immediately corrected it by replacing the camera in the first position. Although this added time to the shooting duration, it did allow us to feel comfortable when going to the editing suite.
Sam took the major role in editing; after experimenting with imovie prior to the beginning of our shoots, he was very able using the software. However, my main role in the editing process was to suggest which shots would work well in an aesthetic way, whilst still ensuring that continuity and composition were upkept. In many cases, we had three or four examples of each shot, and so deciding which one to use could've been difficult; by discussing this together, we ensured that the film looks as both of us imagined it. Furthermore, the effects that we used on the home video were ones that we chose together, after experimenting with various effects to try and make the video look just like a home video.
As I mentioned earlier, we watched back almost each and every shot that we took to ensure that we had exactly what we wanted and needed for the editing suite, therefore cutting the chance that we would need a reshoot.
*NOT COMPLETE*
Showing posts with label Evaluation - Josh. Show all posts
Showing posts with label Evaluation - Josh. Show all posts
Tuesday, 4 January 2011
Thursday, 2 December 2010
Production Evaluation (Cinematography)
Cinematographer
As soon as I took on the role of cinematographer, I realised that my main responsibilities would fall during the shooting of the film, and that has certainly been the case. I have tried to take the lead throughout the filming of our scenes, and have done this through several key aspects.
Firstly, I have assessed each location at which we have filmed, ensuring that the mise-en-scene is fitting for our genre, as well as for the ideal scenes that we wanted to shoot. Furthermore, I had to work in conjunction with the editor to check that every shot would allow for good continuity when used in the editing suite, making sure that all costumes, lighting and props stay constant throughout. Keeping the length of each shot long enough meant that the editor would also find it easier to cut each part and fit it with others; we understood completely that shooting more shots than were needed would mean we would NOT have to reshoot at another time.
Personally, one of my favourite aspects of being the cinematographer is shooting aesthetically pleasing shots with good composition, thus making the film look professionally done. For this reason, I spent lots of time before shooting each single shot to ensure that no shots were of a poor quality. Using the 'rule of thirds' (helped by a nine square grid which I activated on the camera screen), I was able to shoot each shot with good composition, making sure there was little room above the head, and not a lot of empty space at the sides of shots. This also helps in the editing suite.
One scene I am pleased with is the scene in which our protagonist arrives home and enters the kitchen, oblivious to the fact that the fridge door is opening behind her. I managed to shoot lots of shots from various angles (adhering to the 180 degree rule) throughout the scene, using panning to add effect. Furthermore, after shooting several shots, we assessed the lighting and after deciding it was too bright on the girl's face, we changed the angles of the lights, allowing a softer light to fall onto the setting. Finally, we shot an over the shoulder shot to finish the scene, which is something we were very pleased with.
Overall, the scenes that we have managed to shoot so far look quite professional, and due to the fact that we have shot so many this will allow us a lot to use in the editing suite. However, I am most pleased with the composition and continuity of the shots, as we have used a range of shot types and angles whilst still ensuring that it is aesthetically pleasing and fitting for the horror genre. We do understand that there are some sections which may need reshooting, such as in the mother's bedroom, but our grasp on aspects such as lighting and mise-en-scene has improved throughout production, and this will definitely help when we shoot our final scene at the graveyard, and then continue to edit 'Home Video'.
Josh Murray- Incentive
As soon as I took on the role of cinematographer, I realised that my main responsibilities would fall during the shooting of the film, and that has certainly been the case. I have tried to take the lead throughout the filming of our scenes, and have done this through several key aspects.
Firstly, I have assessed each location at which we have filmed, ensuring that the mise-en-scene is fitting for our genre, as well as for the ideal scenes that we wanted to shoot. Furthermore, I had to work in conjunction with the editor to check that every shot would allow for good continuity when used in the editing suite, making sure that all costumes, lighting and props stay constant throughout. Keeping the length of each shot long enough meant that the editor would also find it easier to cut each part and fit it with others; we understood completely that shooting more shots than were needed would mean we would NOT have to reshoot at another time.
Personally, one of my favourite aspects of being the cinematographer is shooting aesthetically pleasing shots with good composition, thus making the film look professionally done. For this reason, I spent lots of time before shooting each single shot to ensure that no shots were of a poor quality. Using the 'rule of thirds' (helped by a nine square grid which I activated on the camera screen), I was able to shoot each shot with good composition, making sure there was little room above the head, and not a lot of empty space at the sides of shots. This also helps in the editing suite.
One scene I am pleased with is the scene in which our protagonist arrives home and enters the kitchen, oblivious to the fact that the fridge door is opening behind her. I managed to shoot lots of shots from various angles (adhering to the 180 degree rule) throughout the scene, using panning to add effect. Furthermore, after shooting several shots, we assessed the lighting and after deciding it was too bright on the girl's face, we changed the angles of the lights, allowing a softer light to fall onto the setting. Finally, we shot an over the shoulder shot to finish the scene, which is something we were very pleased with.
Overall, the scenes that we have managed to shoot so far look quite professional, and due to the fact that we have shot so many this will allow us a lot to use in the editing suite. However, I am most pleased with the composition and continuity of the shots, as we have used a range of shot types and angles whilst still ensuring that it is aesthetically pleasing and fitting for the horror genre. We do understand that there are some sections which may need reshooting, such as in the mother's bedroom, but our grasp on aspects such as lighting and mise-en-scene has improved throughout production, and this will definitely help when we shoot our final scene at the graveyard, and then continue to edit 'Home Video'.
Josh Murray- Incentive
Tuesday, 16 November 2010
Pre-Production Evaluation (Cinematography)
Cinematographer- Josh Murray
In the creation of any film there are many roles which all need to be fulfilled to ensure that the film is planned, shot, edited and completed to the best possible quality. This was no different with our horror opening, although the fact that our group includes just two people meant that we realised we would have to share many jobs between us. However, we both decided on a role which we would focus on throughout the process, and I chose to be the cinematographer.
My role will be a very important one if we are to make a top quality film, and will require me to play a massive part throughout the entire shooting process.
Firstly, I will be responsible for maintaining that each setting is correct, and that all the props are positioned effectively to create the right atmosphere and mise-en-scene for our genre: in the case of 'Home Video', I will have to ensure that generic conventions such as shadows are upheld, and that effective props such as the televisions are working prior to shooting. Our aim is of course to create the best possible film, and a massive aspect of this is continuity. Although this aspect will be examined and adjusted in the editing suite, it is the job of the cinematographer to guarantee that each shot (from different angles and positions) will not reveal differing situations.
Possibly the most prominent role for me in our task will be the actual filming. Our film must be between 4 and 5 minutes in length, and after writing our script, step outline and written storyboard we managed to decide on 78 shots that would be needed. It will be my job to position everything in the scene (the actors, props and lighting) as well as the camera itself, and then shoot the scene; this could mean I just stand there and watch over the action, or use the camera if tracking, panning or zooming is needed. As I wish for our film to look professional, I will take it upon myself to reshoot any shot which looks poor or are not completed in the way that we envisaged.
However, although we have decided on a definite amount of shots, this is going to be flexible, and I believe that we will shoot over 100 shots to create a lot of items to be used by the editor. These decisions will again lie with me, and I will confer with Sam when making changes or additions to shots throughout the film.
The relationship between the cinematographer and the editor is vital, and Sam and I will make sure that we always talk through the shots that I am going to take, as it will be he who has to work with the shots in the editing suite.
An important resource that we have used throughout our planning process has been the various films that relate to our sub-genre of psychological horror. The ones that inspired me most as a cinematographer were 'The Grudge' and 'The Ring', as both use camera angles and mise-en-scene to enhance the tension and fear which is already evident through the setting. Firstly, the use of televisions as a tool for the supernatural in 'The Ring' is something that we are very keen on using, and I have already planned several canted angle shots of the television which will create a sense of confusion in the first and final scene. Furthermore, there is several high angle shots in both films (especially on the stairs) that show the position of weakness and loneliness that the protagonist finds themselves in; this is something I plan to shoot as our female character ascends the stairs cautiously. Finally, the way that the film openings are shot allow the viewer to understand that something 'supernatural' is going on, whilst keeping the narrative restricted, as we are never certain of what is occuring. This is something I will concentrate on in the final scene, when the character begins to feel uncomfortable.
Overall, my role as cinematographer will mean that I must take a constant interest in the entire shooting process; ensuring that the scene is perfect BEFORE the camera begins to roll, at which point I will stand behind the camera and shoot the entire scene. Although it is a lot of work, I feel that the role will be both enjoyable and rewarding, and I can learn a lot about the processes as I go along.
In the creation of any film there are many roles which all need to be fulfilled to ensure that the film is planned, shot, edited and completed to the best possible quality. This was no different with our horror opening, although the fact that our group includes just two people meant that we realised we would have to share many jobs between us. However, we both decided on a role which we would focus on throughout the process, and I chose to be the cinematographer.
My role will be a very important one if we are to make a top quality film, and will require me to play a massive part throughout the entire shooting process.
Firstly, I will be responsible for maintaining that each setting is correct, and that all the props are positioned effectively to create the right atmosphere and mise-en-scene for our genre: in the case of 'Home Video', I will have to ensure that generic conventions such as shadows are upheld, and that effective props such as the televisions are working prior to shooting. Our aim is of course to create the best possible film, and a massive aspect of this is continuity. Although this aspect will be examined and adjusted in the editing suite, it is the job of the cinematographer to guarantee that each shot (from different angles and positions) will not reveal differing situations.
Possibly the most prominent role for me in our task will be the actual filming. Our film must be between 4 and 5 minutes in length, and after writing our script, step outline and written storyboard we managed to decide on 78 shots that would be needed. It will be my job to position everything in the scene (the actors, props and lighting) as well as the camera itself, and then shoot the scene; this could mean I just stand there and watch over the action, or use the camera if tracking, panning or zooming is needed. As I wish for our film to look professional, I will take it upon myself to reshoot any shot which looks poor or are not completed in the way that we envisaged.
However, although we have decided on a definite amount of shots, this is going to be flexible, and I believe that we will shoot over 100 shots to create a lot of items to be used by the editor. These decisions will again lie with me, and I will confer with Sam when making changes or additions to shots throughout the film.
The relationship between the cinematographer and the editor is vital, and Sam and I will make sure that we always talk through the shots that I am going to take, as it will be he who has to work with the shots in the editing suite.
An important resource that we have used throughout our planning process has been the various films that relate to our sub-genre of psychological horror. The ones that inspired me most as a cinematographer were 'The Grudge' and 'The Ring', as both use camera angles and mise-en-scene to enhance the tension and fear which is already evident through the setting. Firstly, the use of televisions as a tool for the supernatural in 'The Ring' is something that we are very keen on using, and I have already planned several canted angle shots of the television which will create a sense of confusion in the first and final scene. Furthermore, there is several high angle shots in both films (especially on the stairs) that show the position of weakness and loneliness that the protagonist finds themselves in; this is something I plan to shoot as our female character ascends the stairs cautiously. Finally, the way that the film openings are shot allow the viewer to understand that something 'supernatural' is going on, whilst keeping the narrative restricted, as we are never certain of what is occuring. This is something I will concentrate on in the final scene, when the character begins to feel uncomfortable.
Overall, my role as cinematographer will mean that I must take a constant interest in the entire shooting process; ensuring that the scene is perfect BEFORE the camera begins to roll, at which point I will stand behind the camera and shoot the entire scene. Although it is a lot of work, I feel that the role will be both enjoyable and rewarding, and I can learn a lot about the processes as I go along.
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